![]() ![]() Some highlights among Frizza´s upcoming engagements include the opening of the season at the Opéra National in Paris – which is celebrating its 350th anniversary – with I Puritani, the opening of the ABAO Bilbao Opera season with Lucia di Lammermoor, Lucrezia Borgia in its acclaimed new version at the Donizetti Festival in Bergamo – which Frizza is the musical director of – and the show Three Queens at the Chicago Lyric Opera, based on Donizetti´s Tudor trilogy and including the final scenes from Anna Bolena, Maria Stuarda and Roberto Devereux with Sondra Radvanovsky taking centre stage. The basic plot is as follows: Aida is an Ethiopian princess, who is captured and. It is a four act opera and takes place in ancient Egypt. Throughout his career he has been particularly linked to the Venetian opera house, where he has conducted Il Trovatore, La Traviata (in two seasons), Tosca, Attila, Lucia di Lammermoor, L’elisir d’amore, Norma and Semiramide, (which he conducted last October) among other productions. Aida is one of the most famous operas by Giuseppe Verdi. Frizza is one of the most renowned conductors of his generation, and a specialist in Italian opera repertoire. This popular and spectacular opera will revisit the legendary production by the film and theatre director Mauro Bolognini, and directed this time by Bepi Morassi. In May Riccardo Frizza returns to one of the theatres where he has conducted the most, La Fenice in Venice, this time for the Giuseppe Verdi masterpiece, Aida. *According to Crowest's Verdi (1897) the premiere was on 24 January 1871.-The Italian conductor takes the helm of the historical production by the film director Mauro Bolognini Off-stage Instruments (From the Underground) Onstage Instruments 6 Egyptian trumpets, wind band, harp Timpani, bass drum, cymbals, triangle, tam-tam, harp, strings Orchestra 3 flutes (3rd also piccolo), 2 oboes, English horn, Priests, priestesses, ministers, captains, soldiers, officials, Ethiopians, slaves and prisoners, Egyptians, animals, chorus Nearly a quarter of a century after its premiere in 1998. Scena 2: L'interno del tempio di Vulcano e la tomba di RadamèsĬast, Chorus, Orchestra, Giovanni Bottesini (conductor)Īfter a scenario by Auguste Mariette (1821-1881) Aida is one of Teatro Reals most monumental and emblematic productions. Scena 2: Uno degli ingressi della città di Tebe Scena 1: Una sala nell'appartamento di Amneris Scena 2: Interno del tempio di Vulcano a Menfi 2.4.6.2 For Horn, Trumpet and Euphonium (Messerschmidt).2.4.5 Allegro assai moderato: Celeste Aida (Act I).2.4.4.2 For Violin, Cello and Piano (Saenger).2.4.2.1 For Horn, 2 Trumpets, Trombone, Tuba, Percussion and Piano (Sasaki).2.2.4 Uno degli ingressi della città di Tebe (Finale). ![]() Operas Theatrical Works For voices, mixed chorus, orchestra Scores featuring the voice Scores featuring mixed chorus Scores featuring the orchestra For voices and chorus with orchestra Italian language For orchestra (arr) for horn, 2 trumpets, trombone, tuba, percussion and piano (arr) For piano 4 hands (arr) Scores featuring the piano (arr) Scores featuring the piano 4 hands (arr) For 2 players (arr) For piano (arr) For 1 player (arr) For 2 pianos (arr) For cello, strings (arr) For strings with soloists (arr) Scores featuring the cello (arr) Scores featuring string ensemble (arr) For violin, cello, piano (arr) For 3 players (arr) Scores featuring the violin (arr) For guitar (arr) Scores featuring the guitar (arr) For 16 double basses (arr) Scores featuring the double bass (arr) For 16 players (arr) For horn, trumpet, euphonium (arr) Scores featuring the horn (arr) Scores featuring the trumpet (arr) Scores featuring the euphonium (arr) For organ (arr) Scores featuring the organ (arr)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |